I’ve been listening to this record for a few months now, and I can’t stop thinking about how as the world started to end, and then kept on ending in all kinds of surprising new ways, Sam and Janet returned to their practice space every day and made songs. I can hear in the music how happy I am to be there and to be playing at that level again,” Janet said. But this is also a record surging with energy and pleasure and joy. It sounds dark, and because it’s rising to the moment, it is.

“The Losers Win” is a tart arsenic nightcap to close out the record, and hell, the nation. In “Gravity,” Quasi’s predilection for the absurd now tips into unnerving realism in the post-facts era, the very thing that tethers us all to the earth is rendered meaningless (“you can walk on water if you so choose in your made-in-USA concrete shoes.”) Punchy warning verses about death and disarray swoon into the blissed-out, checked-out chorus of “Queen of Ears” (“But I, I float above it all, wizard of idleness, mistress of killing time.”) Janet’s voice floats sweet and eerie through the atmospheric suspended reality of “Inbetweenness.” Etch “Doomscrollers” onto the golden record and launch it into space as a precise time capsule of the incomprehensible present. “A last long laugh at the edge of death” sings Sam at the album’s outset, and that gleeful defiance-which might as well be the logline of our present moment-sets the table for the songs to come. In the thick of a cataclysmic social and political moment, they’ve crafted exquisitely melodic songs that glitter with rage and wild humor and intelligence, driven by a big bruised pounding heart. In Quasi-form, the band becomes alchemically even greater than the sum of its parts: Janet’s galloping drums and Sam’s punk-symphonic Rocksichord and their intertwining vocals make something gigantic, anthemic. Here are two artists at their prime, each a human library of musical knowledge and experience, entirely distinctive in their songcraft and sound.

The incredible result of those sessions is Breaking the Balls of History, recorded in five days and produced by John Goodmanson at the legendary Robert Lang Studios in Shoreline, WA.

They knew they’d record the songs live and together, to capture a moment. “But this time, the whole thing felt purposeful in a way that was unique to the circumstances.” They knew they would keep it to just the two of them playing together in a room. “When you’re younger and in a band, you make records because that’s what you do,” Sam said. Janet’s strength returned and rose to athlete-level stamina. Each afternoon, Sam and Janet bunkered down in their tiny practice space and channeled the bewilderment and absurdity of this alien new world into songs. Quasi couldn’t go on the road, so they got an idea: they would act as if they were on tour and play together every single day. And with the obliterated normal came an unexpected gift: uninterrupted time, hours every day, to make art. Under lockdown, Portland’s streets fell still, airplanes vanished, wildlife emerged. All those things you only realize when it’s almost too late. “There’s no investing in the future anymore,” Janet realized. Then a deadly virus collided with all of us, and no one knew when or if live music as we knew it-the touring, the communal crowds, the sonic church of the dark club-would ever happen again. Then in August 2019 a car smashed into Janet’s and broke both legs and her collarbone. They’d go out on a great one and move on. For a while, they thought 2013’s intricate Mole City might be their last record. But we were wrong to ever take Quasi for granted. Sam Coomes and Janet Weiss have become Pacific Northwest icons, and Quasi has always felt so steadfast- their enduring friendship so generative, their energy infinite, each album more raucous and catchy and ferocious and funny than the last. Three tens, which aligns with the thirty years they’ve played together. No refunds or exchanges will be permitted*īreaking the Balls of History is Quasi’s tenth record, landing ten years after their last record, on February tenth. Please be prepared with your email ticket confirmation, your name, and some form of identification to show the door person. Please note that all ticket sales will be available at will-call the night of the show.

Golden records wizard